24 Oct
SceneFour collaborates with music icons at Andrew Weiss Gallery

Los Angeles-based creativity house SceneFour and its army of collaborators have joined forces to showcase their art in an exhibition aptly titled Come Together. The exhibit, which is held at the Andrew Weiss Gallery in Beverly Hills, features work from RZA of the Wu-Tang Clan, Chuck D of Public Enemy, DJ Qbert (above), Shavo Odadjian […]


25 Aug
Mötley Crüe, Public Enemy, Matt & Kim and an army of aging groupies flock to celebrate West Hollywood's most fabled street

As we posted last week the Sunset Strip Music Festival went down this past Saturday, and as expected the festival was a true spectacle — both with the bands performing, and the festival goers who went to celebrate the mighty Sunset Strip… including the armies of aging, drunk and bottle bleached groupies who descended into […]


There are no shortages of music festivals in Los Angeles every year, but none carry the cultural cajones of the the Sunset Strip Music Festival. After all, when you’re celebrating one of the most famous streets in the history of rock n roll it’s tough to compete. Hall of Famers like Van Halen, The Doors, […]


23 Mar
The return of the Swedish hit-making superheroes

Swedish production superheroes Teddybears (no, not Miike Snow) return with the followup to their hit-filled album Soft Machine, titled Devil’s Music. The new album drops June 21st and as can be expected with Teddybears it’s loaded with collaborations, including The Flaming Lips, Cee-Lo Green, The B-52’s, B.O.B. and Eve. Although known mostly for their prolific […]


16 Dec
Up now at San Francisco's 941 Geary Gallery

Among the punk, skateboarding and hip hop scenes of the 80s and 90s, there are few photographers that can stand alongside Glen E. Friedman. Many of the most famous images from these seminal scenes were captured by Friedman’s lens — from Fugazi and Beastie Boys to Public Enemy and Black Flag. Now an international traveling […]


Copyright Criminals is a full-length documentary investigating the breadth of the controversial culture of sampling — which is a complex issue to say the least. Sure, I want the Beastie Boys to be able to sample 1,387 records to create the sublime Paul’s Boutique (actually, better make that the Dust Bros), but I also think […]